Film and psychoanalysis barbara creed

Film, feminism, psychoanalysis popular fictions series. The history of psychoanalytic film criticism is extremely complexpartly because it is long and uneven, partly because the. First published 1993 by routledge 2 park square, milton park, abingdon, oxon, ox14 4rn. In the monstrousfeminine barbara creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive.

Use features like bookmarks, note taking and highlighting while reading the monstrousfeminine. Theorists commonly explore how psychoanalysis, with its emphasis on the importance of desire in the life of the individual, has influenced the cinema. In almost all critical writings on the horror film, woman is conceptualised only as victim. Download it once and read it on your kindle device, pc, phones or tablets. This book provides a critical reappraisal of barbara creed s groundbreaking work of feminist psychoanalytic film scholarship, the monstrousfeminine, which was first published in 1993. In the monstrousfeminine barbara creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. She is author of the acclaimed the monstrousfeminine.

They share a common historical, social, and cultural background shaped by the forces of modernity. In the monstrousfeminine barbara creed challenges this patriarchal. Creed is a graduate of monash and latrobe universities where she completed doctoral research using the framework of psychoanalysis and feminist theory to examine. Barbara creed born september 30, 1943 is a professor of cinema studies in the school of culture and communication at the university of melbourne. She is the author of six books on gender, feminist film theory, and the horror genre. Creed, barbara film and psychoanalysis psychoanalysis.

Creed, barbara film and psychoanalysis free download as pdf file. Psychoanalysis and the cinema were born at the end of the nineteenth century. With close reference to a number of classic horror films including the alien trilogy, the exorcist and psycho, in almost all critical writings on the horror film, woman is. Her areas of research include feminist film theory, film and psychoanalytic theory. Women as castrator constitutes the most significant face of the monstrousfeminine in film and creed challenges the mythical patriarchal view that women primarily terrifies. Film, feminism, psychoanalysis popular fictions series kindle edition by creed, barbara. Barbara creed is professor of cinema studies and head of the school of culture and communication at the university of melbourne. First published 1993 by routledge 2 park square, milton park, abingdon, oxon, ox14 4rn simultaneously published in the usa and canada by routledge 711 third avenue, new york, ny 10017 reprinted 1994, 1997, 2001, 2006, 2007 transferred to. Her doctoral thesis was on the cinema of horror, feminism and psychoanalysis. Barbara creed has identified several faces of the monstrous feminine in the horror film genre, and lays out the basis for these faces in psychoanalysis. With close reference to a number of classic horror films including the alien trilogy, the exorcist and psycho, creed analyses the. In the monstrousfeminine barbara creed challenges this patriarchal by arguing that the prototype of all definitions of the monstrous is the female reproductive body. The monstrousfeminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror.

225 490 822 807 437 110 1382 90 1180 714 1511 961 1433 1323 1003 17 1301 224 1364 63 1382 966 908 1110 643 929 1507 508 613 466 781 631 109 1443 750 1056 1328 507